冲突话语背景下《秦腔》中的引生形象

Yinsheng's Image in Qin Qiang:A Conflict Talk Theory View

《秦腔》中引生被视作"疯子""畸人""另类人物",引生话语因此成为作品的隐性线索,该研究以引生冲突话语为切入点,将引生冲突话语类型分为爱恋白雪、村务纠葛与生活琐碎三部分,进而从福柯理论变换的角度为引生冲突言语提供理论的可能性,发现引生忠于爱情,敢于揭露事物真相,却又不失生活本真,是传统文化的捍卫者,认为贾平凹刻画的引生"疯子"形象是对福柯理论的忠实恪守,成功勾勒出文学作品与疯癫意象共存的格局,使引生成为文明的产物,冲突话语更是成为一场理性的独白。

Yinsheng is the key figure in Jia Pingwa＇s work--Qin Qiang, and is regarded as ＂madman＂ ＂amazing creature＂ and ＂peculiar character＂ among different studies. Yinsheng＇s speeches have become the hidden clues of the works. The paper analysed the conflict talk as a breakthrough point and divided it into three types： deep love for Xia Baixue, theoretical framework for conflict talk from th village affairs and trivial matters. It provides the possible e perspective of Foucauh＇s theory and Yinsheng is proved to be a loyal lover, a humourous speaker of truth and a traditional culture defender. It is found that Pingwa＇s portrayal of ＂madman＂ faithfully follows Foucault＇s theory and he has successfully depicted Jia the coexistence of literary works and the madness image. Yinsheng is a product of civilization, and thus conflict talk is to become a rational monologue.