论莫言小说《檀香刑》中的“身体言说”

Theory of MO Yan's Novel Sandalwood Penalty in the Body

莫言小说《檀香刑》作为一次尝试,将民间故事与历史事件融为一体,在人物的多声部对话与人物的主体性交织中形成了一种复调性。通过《檀香刑》,莫言的创作回归到人的本真状态,以身体言说将小说与历史和记忆重合,用肉体与欲望传达了自由的力量与悲悯的意蕴,透视了民族精神与国民灵魂,传达了身体在文学中的本体性,用狂欢化和仪式化的情节与场景对权力的颠覆,淡化了知识分子的启蒙主义最终返回民间立场。

Mo Yan＇s novel the sandalwood punishment as an attempt to in big strides, folklore and historical events, the character of multi - tone in dialogue with the character of subjectivity, formed a kind of bitonality. The author through the creation of ＂sandalwood penalty＂ the authenticity of the use of private resources back to the people, to the body the novel and the historical narration and memory, and the power of freedom with the desire to communicate with the human body and the meaning of compassion, the perspective of national spirit and national spirit, convey the body in the literary noumenon, carnival and ritualized plot and scene to overturn on power, weaken the enlightenment of the intellectuals position, finally return to the people.