摘要
"燕礼"是周代"礼乐制度"之产物:有"礼"有"乐",在"燕飨"礼仪和用乐操演中实现。"燕礼"因其"礼"之性质,而与社会政治相交集;又因其"仪"之性质,而直接联系仪式并与仪式活动互动,从而塑造出"燕礼"及其用乐(即"燕乐")之社会性质与特征。鉴于"礼仪"活动与"身体"之互动,故选择以"身体"角度切入,聚焦与考察"燕礼"仪式之三大问题:一、"礼乐制度"下"燕礼"之特殊性质;二、"燕礼"背景中仪式音乐之特点;三、"燕乐"之"社会制度"建构和国人"文化心态"建构之双重社会建构。
Yanli, the Banquet Etiquette of Zhou Dynasty, consists of a set of complex etiquettes and music due to its connection with social politics and ritual activities. Centered on the motions of body in Yanli, this article observes three issues ： 1. the features of Yanli in the context of the rite and music system of Zhou Dynasty. 2. the features of ritual music in the context of Yanli. 3. the construction of the social system and cultural mentality of the people then.
出处
《音乐探索》
2017年第4期23-30,共8页
Explorations in Music
基金
2012年国家社会科学基金艺术学项目"族群
国家与地域:周代礼乐之兴衰新论"(12BD033)
关键词
周代礼乐
燕礼用乐
仪式
身体
社会建构
ritual music of Zhou Dynasty, the music of Yanli, rite, body, social construction
