1700-1840年英国的中国风格壁纸设计

The Slander and Reconstruction of Vision: The Culture Creativity of “Vision Depravation” in Vision Culture Ideological

就历史发展进程而言,不同文明的接触,便会成为人类进步的里程碑。比如,1700-1840年间英国人对于中国风格的模仿,将他们自己所理解的中国传统题材加以利用,强调的夸张审美,最终臆造出虚无的中国式形态。本文以此时期英国的中国风格壁纸设计为研究对象,探讨其历史形成的渊源及设计特点,以此阐述中英设计文化交流带来的丰富历史景象。摘要:

With the e All kinds of overturning visual culture form have been part of history, which have broken ur visual habits and traditional visual forms. They have erased exiting culture forms and established new discourse power of will. They have collapsed our habitual interpretation of vision from both forms and ideas thoroughly, acting more directly and immoderately. They have pushed the development of culture ideological trend forward in a way of ＂vision depravation＂ cultural representation. This article studies from some extreme events of visual depravation in history and some cultural phenomenon of visual depravation here and now, then interprets the power of slandering and reconstructing vision as some kind of visual culture innovation and creativity.