从《情暖天山》音乐创作的多元化融合看新疆歌舞剧音乐的发展

The Development of Drama Music in Xinjiang from the Perspective of Diversified Fusion of Composition in “Qing Nuan Tian Shan”

自20世纪下半叶以来,新疆歌舞剧作品从无到有,从少到多,歌舞剧音乐创作从传统技法的运用到现代多元化技法的拓展,历经半个多世纪,逐渐形成为具有鲜明地域特点和民族特色的音乐创作风格。本文以歌舞剧《情暖天山》的音乐为主要研究对象,以分析、研究多元化的创作手段为主体,运用作曲技法深入细致地对这部作品进行分析。通过针对性的有效分析,力图揭示出新疆歌舞剧音乐的发展规律。

From the late 20th century onwards, musical drama from Xinjiang underwent great changes, developing out of nothing, growing from traditional techniques to the development of modern ones, a transition lasting more than half a century. Gradually, a singular style of the music, with its distinctive local features and ethnic characteristics, has been formed through the processes of cultivation. The essay will focus on the music of Qing Nuan Tian Shan, taking both the analysis and the research of the diversified composing techniques as the main subjects. This essay intends to reveal the law of development of drama music in Xinjiang through pertinent analysis.