从《聊斋志异·青蛙神》看江汉流域的蛙神信仰

On the Frog God Faith in the Jianghan River Valley from The Strange Tales from a Lonely Studio

《聊斋志异》是清代蒲松龄创作的文言短篇小说集,信仰民俗是其中最瑰丽神奇的部分。《青蛙神》作为众多描写民俗信仰篇章中不经意的小篇,却着实反映了江汉流域蛙崇拜这一民俗民风。通过对《青蛙神》中反映的江汉地区蛙神信仰概况、江汉流域蛙崇拜与巫觋文化的关系、蛙神信仰的文化意蕴以及其与江汉流域社会生活的双向互动关系四部分,来探讨《青蛙神》中盛行于江汉流域的蛙崇拜,以此来提升作品的可读性,丰富江汉流域的民俗信仰传统。

Strange Tales from a Lonely Studio is a collection of classical short stories written by Pu Songling in the Qing Dynasty. The folk custom is one of the most magnificent and mysterious parts. Frog God as a number of depictions of folk beliefs in the chapter inadvertently small, really reflects the Jianghan River frog worshin customs.This paper belief and discusses the relationship between frog worship and witchcraft culture, the cultural implication of frog god its interactive relationship with social life in the Jianghan River Basin, through belief in Jianghan area, Frog god prevalent in Jianghan River frog worship, in order to works, Jianghan River Valley rich folk traditions of faith. the analysis of the frog god enhance the readability of