摘要
《杯酒留痕》关注的并非故事情节,而是人物叙事功能的凸显,及其对伦理关系的探索和重构。其无序章节、非线性叙事、跨界人物关系、独特意象选择等,充分彰显了隐含作者的编码匠心,展现了人物在充满不确定性的后现代客观世界中的伦理困境和反思。文章聚焦隐含作者对叙述者、不可靠叙述、不可靠身份以及意象符号的编码,透过送葬之旅异乎寻常的狂欢化表象,分析隐含作者埋藏于小说内部的深刻意蕴和内涵,揭示小说独特的建构艺术和伦理情怀。
The essential focuses of The Last Order are the narrative function of the characters as well as the discovery and reconstruction of the ethical relationship rather than the plot itself. The novel＇s unordered chapters,non-linear narrative,border-crossing relationship and its unique images all reveal the ingenuity of the implied author,expose character＇s dilemma and reflection in the post-modern society. It focuses on how the implied author codes the narrator,the unreliable narration,the unreliable identity and the symbol of image. It analyzes the novel＇s deep buried intension of implication and connotation through the extraordinary carnivalesque surface of the mourner＇s tour,revealing the novel＇s unique art of construction and ethical feelings.
作者
徐红
吴梦菲
王翠翠
XU Hong WU Meng-fei WANG Cui-cui(School of International Studies, Hangzhou Dianzi University, Hangzhou Zhejiang 310018, China)
基金
浙江省教育厅科研项目(Y201225286)
