摘要
"于正剧"等"雷剧""叫座不叫好"的现象一直备受批判。"雷剧"的出现与繁荣是文艺市场运作的自然结果,涉及到创作、传播和观众等多个方面。从"雷剧"自身的构成来看,它在符号要素、文本互文性和对传统电视剧的意义解构三个方面,既有可取处又有颇为极端的做法,共同促成了"于正剧"等"雷剧"的热销。
"Shocking TV series" such as "Yu Zheng's TV series" and so on, draw a large audience but they are "the best-selling not good". The advent and prosperity of "Shocking TV series" is the natural results of the operation of literature and art market, which is related with creation, transmission and audience, et. al. In the view of composition of "Shocking TV series", they are both desirable and extreme in three aspects: symbol elements, intertextuality text, meaning deconstruction of the traditional TV series, which jointly contribute to the hot selling of "Shocking TV series" such as "Yu Zheng's TV series" and so on.
作者
王哲
WANG Zhe(Bin Hai Primary School, Nan Shan Foreign Language School, ShenZhen 518005, China)
出处
《辽宁工程技术大学学报(社会科学版)》
2017年第5期548-552,共5页
Journal of Liaoning Technical University(Social Science Edition)
关键词
“于正剧”
符号要素
文本互文性
意义解构
"Yu Zheng's TV series"
symbol elements
intertextuality text
meaning deconstruction