马一浮的精神及其“六艺论”与《群经统类》

On the Spirit of Ma Yifu,His Theory of Six Classical Arts and Qun Jing Tong Lei

马一浮的一生"乘化而游,归全顺正",既与潮流相呼应,又和而不流,中立而不倚,代表着中国传统文化的"活底精神"。马一浮出入于中西与佛学的基础上来建构他的思想,对于传统中国学术究竟如何面对西学,实现传承创新,有着确定的识见与坚守。"六艺该摄一切学术"的提出与论证,表征着马一浮完全是现代的思想家,致力于继往开来的建构。六艺统摄中学与西学,相当于是"多样的统一",即统类;而六艺统摄于人心,则表证这个统类的过程是合乎人的目的的结果。马一浮梳理学术的古籍选目《群经统类》,设定突破了人物的限制,而又以宋明时期的著述为主,对于宋明儒学研究以及儒学现代创新具有重要意义。

M a Yifu,on the one hand,lived consistently w ith the social trend; on the other hand,he took faith of being ＂harmonious and neutral rather than crow d-drifting and partial＂as his life principle,w hich represents the ＂bottom spirit＂of Chinese traditional culture. With regard to the issue of inheritance and innovation of Chinese traditional academia confronted w ith the w estern counterpart,M a Yifu kept to his creed w ith deep insights,based on Chinese and w estern cultures and Buddhism. The proposal and argument of ＂Academic is embodied w ithin Six Classical Arts＂show s that M a Yifu is a perfect modern thinker,devoting w holly to the academic construction. In fact,Six Classical Arts comprises both Chinese and w estern learning,namely,a unified body w ith diversified components. The process of this unified characterization,governed by human mind,is the expected result in accordance w ith human＇s purpose. Designed to break the figure limitation,the ancient book Qun Jing Tong Lei is collected and sorted out by M a Yifu,focusing mainly on the w ritings during Song and M ing dynasties. Thus,it is of great significance for the research of Song and M ing Confucianism as w ell as the innovation of modern Confucianism.