摘要
"曹谱"是一部清代道家笛曲集,但它的乐谱多来源于戏曲音乐,这种俗曲道用的音乐之身份究竟属仙属俗?此外,由于这些音乐在苏南地区由道、佛、神三家通用,那么人的身份又要如何定位,不同的群体间对谱与人的仙俗身份又有怎样不同层面的认同关系呢?
"Caopu" is a Qing Dynasty Taoist flute music score, but its music originated from the opera music.So the identity of this music is sacred or secular?In addition, in South of Jiangsu, the music is shared by Taoists, monks, and Tangmings,while the same person can play music as a Taoist, monk, and Tangming .So, what is the identity of the people who play music?People of different identities how identity the music and identity of the person?
出处
《内蒙古大学艺术学院学报》
2017年第3期12-18,共7页
Journal of Art College of Inner Mongolia University
基金
上海高峰高原学科建设-中国音乐生态学团队(项目编号:11740131)系列论文
关键词
“曹谱”
古谱研究
苏州道乐
身份认同
Caopu
Ancient music
Taoist music in south of Jiangsu
Identity