“现代性语境”下成吉思汗祭祀仪式音声变迁与文化认同

Sound change of Genghis khan sacrificial ceremony and cultural identity in the context of modernity

"现代性"思考之于成吉思汗祭祀研究仍不乏具有重要的启示价值。本文通过对"族群语境"下变迁与认同探析与考量、"历时与共时"、"主位与客位"的结构模式分析,探究仪式音声与"族群、地方、官方"的维系与认同,探究"现代性语境"下成吉思汗祭祀仪式音声的变迁与民族文化认同。

The reflection on ＂modernity＂, for the studies on Genghis khan sacrificial ceremony, does not lack important enlightenment value. Through the exploration and examination of change and identity in the Ethnic context, and through the analysis on structural model of ＂subject and object＂, this paper intends to explore the maintenance and identification of ceremonial sound and the ＂ethnic, region and authority＂ as well as to dig into the sound change of Genghis khan sacrificial ceremony and the national culture identity.