置换与建构:酷儿理论视角下《玻璃动物园》解读

Substitution and Construction:Interpretation of The Glass Menagerie from the Perspective of Queer Theory

酷儿理论视角下的威廉斯戏剧《玻璃动物园》中,明暗双重叙事策略运用在人物刻画、情节安排及象征借喻等方面,模糊了能指主体劳拉和汤姆之间的界限,瓦解了逻各斯中心主义,展现了社会家庭意识形态对汤姆、劳拉身份主体的"规训"机制,在后现代文本的世界,《玻璃动物园》文本意义陷入"延异"和"撒播"。《玻璃动物园》体现了酷儿理论的真谛,揭示了20世纪的美国极端宗教霸权社会文化建构的社会规范造成了能指主体汤姆和劳拉的主体置换,成为得不到幸福的他者,阐释弘扬和谐社会文化的重要性。

In Williams＇ fiction The Glass Menagerie under queer theory,dual narrative strategies and symbolic metaphors are applied in characterization and plot arrangement,which blurs the boundaries of the subjects—Laura and Tom,disrupts the logos centralism,shows social family ideology for Tom and Laura＇s identity of ＂discipline＂ mechanism.In the post-modern world,the textual implication of The Glass Menagerie is delayed and scattered.In the meanwhile,it illustrates the importance of carrying forward the culture of harmonious society.