摘要
雅克·勒考克的形体戏剧是一种观照万物,以挖掘物质世界中"人类共通情感"的创作方法。他顺应万物的自然运动规律,聚焦于人与万物之间的微妙关系,用运动场上捕捉到的动作节奏与韵律,在"抽象"事物中展开的艺术想象以及通过演员在"中性"状态下的自由创造,写下了物质世界与有情生命交相辉映的诗篇。他创造的诗意表演语汇对当代戏剧表演艺术创作具有启示性的意义。
Jacques Lecoq＇s physical theatre is a creative methoO mat explores me human beings＂ in the physical world and the perception of all things. He follows the natural laws of movements, and focuses on the subtle relationships betv^en human beings and the world. Using the rhythms and tempos he finds in sports, the artistic imagination he develops through abstract objects, and the free creativity in the ＂neutral＂ state of the actor, he produces splendid epics of illuminous interaction between the physical world and emotional life. The poetic terms of performance he created are a revelation to the artistic creativity of contemporary theatre.
出处
《戏剧艺术》
CSSCI
北大核心
2017年第5期87-93,共7页
Theatre Arts
基金
上海师范大学2014年度上海本科院校"十二五"内涵建设"海外优质课程引进"【项目批准号:B-6001-12-008017】的阶段性成果
关键词
戏剧动作
抽象
想象力
中性表演
形体戏剧
theatrical movement
abstract
imagination
neutral performance
physical theatre
