武侠(功夫)片的异域诠释:跨国想象的延续与吸纳

The Continuity and Absorption of Transnational Imagination Based on Interpretations of Kung Fu and Martial Arts Films

武侠/功夫片作为东方原创并独具特色的影片类型,其在西方语境传播与接受的过程显然经历了某种来自西方居高临下的审视与主观臆断似的诠释,具有按照自己的好恶重组并建构想象中的东方的指代功能。武打片、功夫片、武侠片、武打艺术大片等概念术语在东西方语境间并不具有对等的能指和所指关系,值得深入探讨和研究。

The key concepts like martial arts and Kung Fu are in need of in-depth exploration and research because as genre films, they have unequal signifier and signified relations between eastern and western contexts. In the western context, the process of dissemination and acceptance of Kung Fu and martial arts films, which have oriental originality and unique characteristics, is mostly based on the subjective interpretation and dominant inspection, on the basis of which to reconstruct and rebuild East according to the continuity and absorption of transnational imagination.