摘要
彼得·格林纳威是一位野心勃勃且极富争议性的导演,他的作品大胆、前卫。本文以数字媒体时代的到来为节点,从非线性叙事风格、多画面分屏式影像以及影像与装置艺术的融合三方面,来探讨他新世纪电影作品的美学特征。
Peter Greenaway is an ambitious and controversial director whose work is bold and avant-garde. Taking the arrival of the digital media era as a node, this paper explores the aesthetic characteristics of his 21st century films from the aspects of nonlinear narrative style, multi-screen split screen image, as well as the fusion of image and installation art.
出处
《电影艺术》
CSSCI
北大核心
2017年第5期90-98,共9页
Film Art
关键词
电影已死
非线性叙事
分割画面
装置艺术
Cinema is Dead, nonlinear narrative, split screen, installation art