感物创造艺术意象的美学机制

The Aesthetic Mechanism of the Artistic Image Created by Ganwu

感物创造艺术意象具有独特的美学机制。由于感发方式不同,意象的创造也有差别。感物兴情是受外物的感发产生情感。在感物兴情方式中,自然与社会现实之物既可能成为文学艺术作品中的意象,也可能完成感发任务之后便立即隐退;虚幻之物是现实的虚化,与现实之物的审美功能没有什么差异。托物寓情是先有情,然后再按照情感的特征去寻求与其相适应的寄寓之物,凡是寄寓之物都成为文学艺术作品的意象。叙事作品中的意象可以是人,也可以是物,或者是完全虚构的东西;作为人没有完整的性格特征。人、物意象在叙事性作品中仅仅起着穿针引线的作用。

That ganwu （感物 reflections on things） creates the artistic image has a unique aesthetic mechanism. Different ways of feeling results in the different creation of images. Ganwuxiqing （感物兴情） means reflections on external things give rise to one＇s sentiments. Both natural and social objects may become literary images, and they may retreat immediately when the task of giving inspirations is completed. Illusory objects are blurry pieces of the reality, and are not very much different from the aesthetic function of the real thing. Tuowu yuqing （托物寓情） means that one has some sentiments first, and then seeks external objects that can be adapted to give expression to the sentiments in accordance to the features of those sentiments. All such objects will become literary and artistic images. The images in narrative works may be a person, a thing, or a figment. As an imagery per- son, s/he is lacking in personality traits. As images, a person or thing only plays a go-be- tween role in narrative works.