摘要
张以庆的纪录片尽管在国内外屡获大奖,但是也引发了人们的争议,不少人认为他的纪录片违背了"真实性、客观性"的原则,表现出强烈的个人色彩和主观的情感表达。张以庆纪录片的文本,可以分为再现系统和表现系统,其中声音、字幕等构成元素,从"观念化的声音空间""字幕与画面的符号功能"两个层面,共同构成了张以庆纪录片的风格——"写意美学"。
many people think they violate the principles of'authenticity and objectivity',showing strong personal coloring and subjective emotional expression.The texts of Zhang’s documentaries are of two categories:reproductive and expressive,and such elements as sound and subtitles,from the two levels of'conceptual sound space'and'the symbolic function of subtitles and pictures'constitute his unique style-'poetic aesthetics'.
出处
《江汉大学学报（社会科学版）》
2017年第5期85-89,共5页
Journal of Jianghan University(Social Science Edition)
关键词
张以庆
纪录片
写意
Zhang Yiqing
documentary
poetic aesthetics
