当代钧瓷佛造像艺术的应用研究

The Application Research of Modern Porcelain Buddha Statue Art

钧瓷与龙门等佛教石窟的造像、石刻、彩绘均属于造型艺术,在形体、装饰、线条、色彩的运用处理上有许多共同之处,存在不可割裂的血脉联系,是中原文化的重要组成部分。受石窟艺术的影响,近年出现了大量的钧瓷佛造像作品,但其还处于初萌时期,艺术个性不够成熟。当代钧瓷造像,可以结合佛教石窟艺术风格,尤其是南北朝时期石窟造像的特点,根据现代人的审美和情感需求,从艺术性、宗教性、创新性、指导性等方面,进行内容和形式的取舍和创新,整理出一整套工艺规程及参数,以推动钧瓷艺术的创新发展。

Jun porcelain is an important part of the central plain culture, known as a kind of shaping art togetherwith the statue shaping, stone carving and painting in Longmen and other Buddhist grottos. They have much in common in the use of processing shape, decoration, line and color. Under the influence of the grotto art, in re-cent years there have been a large number of porcelain Buddha statue works, but these works are still in the early period and lack of artistic personality maturity. The contemporary porcelain statue shaping should combine the Buddhist grotto art style, especially those in the northern and Southern Dynasties. It should also meet the con-temporary aesthetic and emotional needs. And the content and form of statue needs to be selected and innovated from artistic, religious, creative and directive aspects. Finally a set of procedures and parameters are attained to promote the innovation development of the porcelain arts.