物质形态的转化:访碑背景下的《金石图》书写

Conversion of Material Form: Calligraphy of Jinshitu (Visualized Epigraphy) on the Basis of Stele Investigation

褚峻的《金石图》作为清初访碑的典范,延续了明末以来文人访碑的风尚,又开创了石刻摹图之法。在对《金石图》的基本形态、主要内容、编纂特点以及主要贡献论述的基础上,针对褚峻如何访碑及其主要行迹进行梳理,进而总结其在金石寻访、排比、摹图、考订等方面的贡献,重点考察了《金石图》所收汉碑的基本情况。借此论述中国古代石刻如何从"石本"走向"纸本"的物质形态转化历程。

Given the preeminent position of Jinshitu presented by Chu Jun, the only way to keep breast of the tradition in late Ming Dynasty is to rely on the stele investigation, yet which also contributed to the academic research in epigraphy. From the perspective of research on basics, contents, features and key comments in Jinshitu, this paper analyzed the history of stele investigation and academy life of Chu Jun. In a wider sense, the paper researched the contribution of Chu Jun on investigation, parallelism, facsimile and revision, which focused on the investigation on the steles of Han Dynasty. In short, the paper is aimed to depict the process of ancient printing and rare edition of which the medium converted from the stone to paper.