摘要
南阳汉代彩绘画像石发现数量之多已使其成为本地区一种典型的文化现象。本文试从汉代人的色彩观、地上建筑壁画、汉代的厚葬习俗、墓葬形制的演变及地上宅第建筑的影响、汉代墓葬绘画形象的发展变化、墓葬建筑材料及绘画材料的充足、良匠的存在七个方面来探索分析产生这一文化现象的原因。
TColor-painted engraved stones of the Han period have been discovered at Nanyang in a significant quantity. This article focuses on investigating this exceptional phenomenon. Multiple aspects have been taken into consideration, which include the vision of color, mural paintings above the ground, the funerary rites, the chronological development of burials, mural paintings underground, construction and painting materials, and artisans of the Han Dynasty.
出处
《中原文物》
北大核心
2017年第5期101-105,共5页
Cultural Relics of Central China
关键词
南阳
汉代彩绘
画像石
探源
Nanyang, color painting of the Han period, engraved stone, investigate