明代中后期徽班舞台上宗法观念的“立”与“破”

Aspects of Patriarchal Ideas Established and Smashed on Anhui Opera Stage in the Mid-and Late Ming Dynasty

明代中后期徽剧在吸纳其他地方戏曲、民歌因素基础上不断壮大、逐渐成形,在徽班的演艺活动中,对"程朱理学"所宣扬的宗法传统观念的遵从与悖离构成了徽剧舞台的主色调,文章以史学为维,用文化史的眼光来审视这一时期的徽剧帷幕内外,在典籍中找寻"考据",描绘出明代中后期徽剧对宗法观念"立"与"破"的种种面相。

With the viewpoint of cultural history,the essay examines the aspects both of inside and outside Anhui opera in the mid-and late Ming dynasty,searching textual evidence in classics and describing the truth of how the patriarchal ideas were established and smashed on its stage.