摘要
与明代节日生活相映照,《金瓶梅》主要叙写了诸如社会交往、祭祖礼神和娱乐狂欢等节日民俗生活内容,它们表现出家庭化、形骸化和浓厚的食色倾向。在艺术上,《金瓶梅》的叙述者运用"在场"与"缺位"的艺术手法,发掘节日的象征意蕴,并通过"反复"与"不平衡"手法揭示人物及其家庭的变化。《金瓶梅》的节日叙写在小说史上并非孤立的存在,它是对"先例"的继承与发展,并形成了一些叙写的范式,对其后的小说创作产生深刻影响。它也是我们从局部审视小说史变迁的一个窗口。
As a mirror of the festival life of the Ming Dynasty,Jinpingmei mainly describes the festival life in social interaction,god-worship and entertainments.This exhibits a strong tendency of family orientation,skeletonization and sexuality.In art,by using the technique ofpresence "andabsence" of the narrator,Jinpingmei explores the meaning of festival symbols;and throughrepetition "andunbalanced",it reveals the change of characters and their families.Narration of festivals in Jinpingmei is not the only one in the history of novels,it is an inheritance and development of itsprecedent ",thus forms a number of writingparadigms." Since it has a profound influence on the writing of later novels,it is a window for us to examine the history of novel changes.
作者
梅东伟
MEI Dong-wei(The Yellow River Civilization and Sustainable Development Research Center, Henan University, Kai feng 475001, Henan , China)
出处
《河南大学学报(社会科学版)》
CSSCI
北大核心
2017年第5期104-110,共7页
Journal of Henan University(Social Sciences)
基金
河南省高校人文社科研究重点项目"节日与明清通俗小说叙事研究"(2014-ZD-131)阶段性成果
关键词
《金瓶梅》
节日礼俗
家庭
节日象征
小说史
Jinpingmei
festival and folk life
family
festival symbol
history of novels