摘要
如果把古村落看作由古人创作而由后人接受的一种社会存在,那么就必然在主客体之间存在心灵交流的意象建构过程。城市在某种程度上是乡村的延伸,相对古村意象,城市意象已经形成完整的体系,所以该文借鉴林奇的城市意象理论,在古人与后人作为创作者与接受者的角色转换中试图探索古村落的意象建构过程,为古村落更好地保护和发展提供借鉴。
If the ancient village is regarded as a social being created by the ancients and accepted by the later generations, there must be an image construction process of spiritual communication between the subject and the object. The city is to some extent an extension of the countryside, and the image of the city has formed a complete system compared with that of ancient villages. Therefore, this paper, with Lynch's urban image theory for reference,tries to explore the construction process of ancient village image from the perspective of "role transition" between creators and receivers, in hope of providing references for the better protection and development of ancient villages.
出处
《重庆建筑》
2017年第10期61-63,共3页
Chongqing Architecture
关键词
城市意象
古村意象
角色转换
建构
city image
ancient village image
role transition
construction