摘要
在耶稣布道的过程中,一个神圣的女性形象在其中有着极为重要的地位,她在《圣经》中被称之为抹大拉的玛丽亚(Magdalene Maria)(以下简称玛丽亚)。玛丽亚作为耶稣的第一个门徒,在诸多教派如天主教、新教、犹太教中均被视为女性的代言人。悬疑小说《达芬奇密码》在2003年面世之后受到读者和各领域学者的关注,此后也引起了对小说中有关历史、宗教、艺术和艺术鉴赏等各领域的不同认识。而玛丽亚是《达芬奇密码》中最为重要的角色之一。从《达芬奇密码》中神圣女性形象重塑的角度出发,认识并分析其中女性主义的表现。
In the process of Jesus's sermon, a sacred image of women who is referred to as Magdalene Maria (hereinafter referred to as Magdalene) has a very important position. Magdalene, as the first disciple of 3esus, is regarded as the spokesman of women in many denominations such as Catholicism, Protestantism and Judaism. The mystery novel The Da Vinci Code came out in 2003 and received attention from readers and scholars in various fields, causing different understandings about the history, religion, art, and art appreciation in various in the novel. Magdalene is one of the most important characters in The Da Vinci Code. This paper, from the perspective of remodeling the divine feminine image in the novel, understands and analyzes the representation of feminism.
出处
《黑河学院学报》
2017年第9期162-163,共2页
Journal of Heihe University