北京现代纪实性工业建筑摄影初探——北京市建筑设计研究院照相室档案研究1958-1965

Modern Documentary Architectural Photography for Industrial Structures of Beijing:A Research on Archive of BIAD Photography Department from 1958 to 1965

建国初期工业现代化所带来的物质进步,催生了工业建筑形象空前规模的图像制产与传播。隶属国有建筑设计机构的摄影师所拍摄的工业建筑摄影纪实,在集体化图像制产与传播场域中,成为了社会、政治、文化层面,工业建筑的图像化载体。本文以1958至1965年期间,北京市建筑设计研究院照相室陈肇宗和侯凯沅摄影师所拍摄的北京工业建筑摄影纪实为研究对象,建立对象主题-拍摄手法-意义传达的研究结构,探究其集体化的图像制产,以及极具客观性的表现特征。

Since the founding of People＇s Republic of China, physical improvement created by the whole nationwide industrial modernization catalyzed the demand to produce and broadcast figures of industrial structures unprecedentedly. In the collective image production and communication field, the photography archives taken by professional photographers from state-owned architectural design institutes acted as the graphical medium of industrial structures, socially, politically and culturally. In this article, the subject-matters, representation methods and meanings of the images took by CHEN Zhaozong and HOU Kaiyuan from 1958 to 1965 are mainly researched. And the collective image production and objective representation are mainly argued.