二十世纪中国文学的“荒诞”内涵与谱系

The Genealogy of Absurdity of Modern Chinese Literature

中国当代文学批评界普遍将偏离"现实主义"的作品视为"荒诞"。本文试图从历史考古学的角度来重新探讨中国现当代文学"荒诞"的谱系,以此纠正这种误读。它作为一种情感结构,可以作为一种批判的界面,让我们去理解作家们是如何用不同的方式去回应和再现不断处于剧变中的中国。

The term＂absurdity＂is Ill-defined in the realm of contemporary Chinese literature criticism. This article attempt to apply the historical archaeology as the methodology to elucidate the genealogy of the absurdity. The absurdity, as the structure of feeling, could act as the important critical interface which help us to understand how those writers respond and represent the vicissitude of Chinese society.