第一人称叙事文本的张力——以韩少功的作品为例

On the Tension of the First Person Narrative Text——Taking Han Shaogong's Works as an Example

不同的人称叙事在同一文本中的应用必然会导致不同的文本张力,并能深层影响读者接受感知机制的形成,从而产生完全不同的审美体验。韩少功在多种文本与不同文类中偏爱第一人称叙事的应用,这既展现了他熟练的叙述技巧,更是其本人文学观与写作立场,乃至艺术美学思想的充分体现。他在作品中通过运用第一人称叙事,既充分干预控制了"叙述者",又使得作者与"叙述者"的身份交替与重合,产生了"互文"式的独特美学效果,彰显了自我言说的自由权利,实现了写作与现实的交融。

Use of different person narration in one text will inevitably lead to different tension, will deeply influence readers＇ perception,resulting in completely different aesthetic experience; Han Shaogong prefer to use the first person narrator in many texts and different genres,is not only shows his skillful narrative techniques,but also fully embodied his view of liter-ature and art aesthetics and writing position. Through the first person narrative,he fully intervened and take control of ＂narrator＂,and the identity of ＂author＂ and ＂narrator＂ alternates with each other and be coincide,produce a unique aesthet-ic effect of inter-textuality,demonstrates his freedom of speech rights,realized the writing and reality blend.