摘要
电影是一种多模态的复合符号文本,有表意属性。俄罗斯电影《回归》的视觉效果与丰富内涵赋予电影表意系统立体和多层次的结构特征,也为观众提供了多维的解读空间。将影像文本的色彩、构图、行为、宗教、文化、精神等电影元素作为情感符号和象征符号进行解读能够拓宽人们的鉴赏视角,给人们带来更多的审美体验。
Movie is a kind of multimodal compound symbolic text and it has an ideographic attribute. The visual impacts and rich connotations of the Russian film The Return gives the film ideographic system with stereoscopic and multi-level structure characteristics, providing the audience with multidimensional interpretation space. Taking the film elements like image text' s color, composition of a picture, behavior, religion, culture, spirit, etc. as emotional and symbolic signs can broaden the perspective of people's appreciation and bring people more aesthetic experience.
出处
《俄罗斯文艺》
CSSCI
2017年第4期12-19,共8页
Russian Literature & Arts
基金
国家哲学社科基金项目《形式主义诗学视野下什克洛夫斯基散文创作研究》(13BWW036)的阶段性成果