明清云南汉文学创作的儒家色彩探析

Confucian Color of Chinese Literature in Yunnan during Ming and Qing Dynasties

明清时期,政治大一统的强化使得知识一体化成为现实,儒家文化在云南的流播极为广泛,影响甚巨。此期云南汉族和少数民族作家以汉语进行的文学创作也敏锐地与思想、文化领域的变迁相酬唱呼应,不少诗文作品映现相当程度的儒家色彩,在题材选择及立场自持、意义阐释等方面有力地回应了思想的变迁,显示出鲜明的对应性和相当的默契度。文学创作中的儒化色彩与身处边地的云南文人对主流文化的认同之间,既是因果源流的关系,文学的创作倾向也成为思想文化上进一步儒化的有力臂助,为边疆多民族地区的思想治理与文化认同聚薪集腋。

During the Ming and Qing Dynasties, strengthening of political unification made knowledge inte- gration become a reality. Confucian culture spread widely and left a very huge impact in Yunnan. During this period, Chinese literature by Yunnan writers of Han nationality and minorities keenly responded to chan- ges in the ideological and cultural fields. Among them, a lot of poems reflected considerable Confucian col- or, displayed a powerful answer to the ideological change, and showed a distinct correspondence and a consid- erable degree of understanding in terms of theme selection, self position and the explanation of the meaning. The Confucianism color in literary creation and the identity of the mainstream culture by literati in the borde- rland of Yunnan bore a relationship of cause and effect. The literature creation brought further influence of Confucianism on the ideology and culture of minority area, and played a positive role in thought governance and cultural identity in minority area.