摘要
《诗经》邶、鄘、卫三风中的女子既多且美,其体貌之美有概而言之者,有分而述之者。与其他国风相比,这三风表现女性体貌之美注重细部,如对女性的手、额头、眉目、牙齿、颈部、笑靥、头发、步态等精描细绘,体现出细致化的特点。女性以硕为美,是从当时生产和生育的实际需要出发而产生的审美标准,而三风写女性美突出"白"这一特点有殷人尚白遗风的留存。三风中的一些审美标准具有一定的延续性,体现并影响着中华民族的审美意识和审美趣味。
There are so many and beautiful women in Bei feng Yong feng and Wei feng of The Songs,they described women'physique,feature and dresses,for example hand,forehead,eye,eyebrow,tooth,neck,dimple,hair,gait and so on.Compared with the other folk songs of The Songs,the detailed of women'physical characteristics is obvious.People regarded big as beautiful come from the needs of production and procreate."White"is a remains fome Shang Dynasty.Some aesthetical standard have continuity,embody the aesthetic consciousness and aesthetic taste of the Chinese nation.
出处
《齐鲁学刊》
CSSCI
北大核心
2017年第5期117-120,共4页
Qilu Journal
基金
山东省社会科学规划研究项目"<诗经>邶风
鄘风
卫风地域文化生态考论"(14WXJ13)
关键词
《诗经》
邶
鄘
卫三风
女性体貌
细致化描写
The Songs
Bti Yong Wci
womcn’ physical characteristics
detailed