非遗语境下闽南戏曲元素的传承——以《七字调随想》为例

The Inheritance of Chinese Opera Elements in the Context of Intangible Cultural Heritage——Taking “Seven-word Tune Capriccio” as an Example

戏曲音乐作为中国传统音乐文化的重要组成部分,一直是中国钢琴作品创作借鉴的主要素材之一,但是以戏曲元素本身作为主题直接进行创作的钢琴作品却不多见,迄今为止只有张朝先生的《皮黄》、陈彬先生的《七字调随想》等寥寥数首。通过对钢琴作品《七字调随想》中戏曲元素的分析,可以深化对地方传统戏曲文化的了解与推广,对中西合璧这一音乐文化形式进行进一步的可行性探索。

As an important part of Chinese musical culture, opera music has been one of the main references for Chinese piano works. However, piano works rarely take Chinese opera elements as their theme, except for ＂Pi Huang＂ by Mr. Zhang Chao, ＂Seven-word Tune Capriccio＂ by Mr. Chen Bin, etc. Through analyzing the opera elements of ＂Seven-word Tune Capriccio＂, this paper intends to gain insight from the traditional local opera culture and further promote it and to explore the feasibility of the mixture of Chinese and Western music.