泰戈尔与郭沫若的诗歌精神

Tagore's and Guo Moruo's Poetic Spirit

最早接受泰戈尔影响又最早抛弃泰戈尔的郭沫若,其诗歌创作和诗歌理论既具有鲜明的泰戈尔色彩,又表现出独特性,代表了中国新诗从接受外来影响到走向自觉的过渡性特征。文章细致梳理了郭沫若诗歌创作初期所受泰戈尔的影响以及出于自身思想变化而对泰戈尔的弃绝,并指出:泰戈尔诗歌作为一种精神存在,实际上已成为郭沫若诗歌及人格的内在要素了。在中国现代文学与外国文学的时代交集中,郭沫若与泰戈尔的文学关系具有鲜明的典型性。

Guo Moruo is not only the first modern Chinese poet to have been influenced by Tagore but the first to have abandoned him.While showing a distinctive Tagore coloration,Guo Moruo＇s poetic creation and theory also show uniqueness,which represents the transitional characteristics of Chinese new poetry from accepting external influence to being self-conscious.This article carefully combs the influence of Tagore at the early stage of Guo Moruo＇s poem creation and his rejection of Tagore resulting from changes in his own thoughts,and points out that Tagore＇s poetry,as a kind of spiritual existence,has actually become an intrinsic factor in Guo Moruo＇s poems and personality.In the intersection of Chinese modern literature and foreign literature,the literary relationship between Guo Moruo and Tagore is typical.