摘要
华裔女作家包柏漪的代表作《春月》以其独特的跨文化视角,展现了从光绪五年(1892年)到1972年80年间两大家族五代人形象化的史诗性画卷。包柏漪以自由游走在双重世界的文化越界者的眼光看到了中西文化的冲突,详述了主人公春月的一生,她虽有受西方文化熏陶而崇尚自由反抗传统的灵魂,但最终在传统的顺从之网的威力下消磨殆尽,突出表现了作者既能维护西方主流意识,又能展现中华民族生活真实和历史真实的双重文化身份。
Chinese American female writer Bette Bao Lord's masterpiece Spring Moon, with its unique cross-cultural perspective, shows an epic picture scroll of five generations in the two families from the fifth year of Guangxu (1892) to 1972. Bette Bao Lord saw the conflict between Chinese culture and Western culture in the double package world cultural vision, described the heroine Spring Moon's life. Although she has influenced the western culture and advocating freedom against the traditional soul, but in the end, she exhausted under the traditional obedient power. The work outstanding shows the author’s double cultural identity that he protected the western mainstream consciousness, and showed the Chinese nation real life and real historical.
出处
《职大学报》
2017年第5期12-16,共5页
Journal of the Staff and Worker’s University
关键词
跨文化视角
反抗传统
顺从
cross-cultural perspective
against traditional
obedience