摘要
张爱玲作品经常被翻拍成影视,但我们难以从中感受到张爱玲文本的叙事魅力。究其原因,张爱玲擅长的画面叙事,看似借鉴了影视拍摄技巧,实则是一种后现代解构叙事。这种叙事技巧营造出的无序与混沌美并不适合影视线性叙事的要求。
Eileen Chang's works are often adapted into films, but it is very difficult for us to feel the charm of Eileen Chang's narrative from the film. The reason is that Eileen Chang's narrative language seems to draw on the film shooting skills, but in reality is a postmodern deconstruction narrative. This narrative technique is not suitable for the requirements of film linear narrative.
出处
《职大学报》
2017年第5期17-21,94,共6页
Journal of the Staff and Worker’s University
基金
肇庆学院科研基金资助项目(201601)
关键词
张爱玲
影视
文本
后现代叙事
Eileen Chang
text
film
postmodern narrative