论江淹赋作中的文学审美观念——兼论中国文学理论批评对象的学科定位

On the Literary Aesthetic Sense Presented in Jiang Yan's Fu Prose

江淹的赋作中蕴含着丰富的文学理念与思想。江淹出身孤寒,在刘宋时代屡受挫折,对于时事的险恶有着独特的体会与感受。这使他的赋作在继承屈骚文学与鲍照诗文的同时,善于出新。他的赋作以悲为美,具有丰富的文学思想。以悲为美既是从个体感受出发,又能够上升到天道人生来思索,从而拓展了汉魏以来赋作的审美境界。这也使他的赋作中具备了自觉为文的思想。

Mr. Jiang Yan's Fu prose abounds with literary ideas. He was born as an orphan and poor, and suffered repeated setbacks in the periods of Liu and Song dynasties, so that he had specific experience and sense of the world and society, based on which his Fu prose inherits Qü Yuan's literature and Bao Zhao's poetry with new element, appreciating sadness as beauty and abounding literary ideas.