物感分析:前卫女装设计的审美现代性演变

THE FEELING OF THINGS: THE AESTHETIC MODERNITY QUALITY EVOLUTION OF THE AVANTGARDE DRESS DESIGN

本文主要采用现象学直观描述的方法,以媒介为核心,结合典型作品实例,对现代前卫女装设计的审美现代性演变历程进行了粗线条勾勒。解蔽了前卫女装在摆脱传统礼法惯例、权力意识形态等意义束缚后呈现出的"物"性特质及相关异质、新奇物美景观。剖析了审美现代性的发生原理,书写了现代女性主导的时尚流行哲学气韵,敞亮了先锋设计师对感性世界的全新开启,阐释了二十世纪不同阶段呈现出的女装设计语言风貌。

This paper mainly uses the intuitive description method ofphenomenology, in the liberation of the ＂design＂ as the leading power, combinedwith typical masterpiece instances, the modern women＇s clothing attach graduallygets rid of the traditional moral codes, patriarchal ethics, ideology and so onexternal significance. Modern women＇s clothing has entered a full and three-dimensional ＂contending＂ situation with a dazzling visual landscape. Therefore,every decade in the twentieth century has a unique visual language style for women＇swear. Not only do they present a large single texture in the visual landscape,heterogeneous, collage, and constantly in the design of perceptual world brokenbridge of continuous efforts, but also inscribed, store the ethos of the times.