太宰治《惜别》中的鲁迅人物形象批评

The Character Criticism of Lu Xun in Taijae Ji's Farewell

自日本作家太宰治的小说《惜别》问世以来,作品中的鲁迅形象问题一直是研究的热点,日本研究界的批评观点基本上呈现出了批判→剥离→重塑的发展脉络。这与日本当代文学批评方法论从"作家论"到"作品论"再到"文本论"的发展脉络趋于一致,体现出了比较明显的时代特征。新的批评方法论不断改变着《惜别》中的鲁迅形象认知,也促使我们从多个维度去重新审视作为作家的鲁迅和太宰治。

Since the novel Farewell written by a Japenese writer,Taijae Ji,wao published,The image of Lu Xun in the novel has been the focus of research.The critical views of Japanese researchers basically present the development of criticism→stripping→remodeling.This is consistent with the development of Japanese contemporary literary criticism methodology from＂writers＂to＂works＂,and then to＂text theory＂,which reflects the obvious characteristics of the times.New critical methodology constantly changes the image cognition of Lu Xun in Farewell,and promotesus to re-examine Lu Xun as a writer and Taijae Ji.