摘要
明清时期,嘉兴的望族女性作家在不同时代的创作呈现了出不同的特点。明代中期为嘉兴望族女性创作的发韧期,这一时期女性创作虽不多见但已经萌发;明代晚期至清顺治年间为嘉兴望族女性的伤痕与突破时期,明清鼎革给这些女性更多地投射了时代的忧伤基调;康雍乾时期为望族女性创作的构建及兴盛时期,女性创作数量大大增加,思想也更加活跃;嘉道咸时期是嘉兴传统女性的回归与初步转型时期,女性创作与时代的结合趋于紧密;同光宣时期为女性文学的嬗变转型时期,"闺秀书史"的风格更加明显。
During the Ming and Qing Dynasties, the prominent female writers in Jiaxing, wroter in different times,and their works also showed different characteristics. The middle of Ming Dynasty is Jiaxing prominent initial stage of female writing. In this period, female writing was rare but had germination. The late Ming Dynasty to the Qing Shunzhi is Jiaxing prominent female scars and breakthrough period. Ming and Qing Dynastie's great change gave these women more time sad tone. The Kangyongqian period is the creation of women's family and the flourishing period. The number of female creation greatly increased and their thoughts got more active. Daoguang and Xianfeng Period was the return stage of Jiaxing traditional women and preliminary transformation, female creation and time became more closely. The period of Tongguanxuan female literature in the transition period, "writing history by female writer" style is more obvious.
出处
《重庆社会科学》
CSSCI
2017年第10期111-116,共6页
Chongqing Social Sciences
基金
2013年国家社科基金重大项目"明代分省人物志"(批准号:13&ZD116)
关键词
望族
女性
文学
分期
嘉兴
prominent family, female, literature, stage, Jiaxing