翁方纲对王渔洋诗学的接受与扬弃

Weng Fanggang's Acceptance and Sublation of Wang Yuyang's Poetics

翁方纲对王渔洋诗学的研究,不仅是后人认识王渔洋神韵诗学的重要参照,同时也是理解翁氏本人诗学的直接途径。他很早就认识到神韵诗学的缺陷,想要用肌理说之实来弥补神韵论之虚。通过翁方纲对渔洋诗歌观念的接受与扬弃,对渔洋诗律学的钻研、对渔洋诗歌批评的商榷,我们同时看到他自己诗学的演进和深化。本文基于翁方纲诗学与渔洋诗论的这种对话关系,细致梳理翁方纲对王渔洋诗学的全部看法,从而更完整地理解翁方纲自己的诗歌理论,从诗学史的角度给予较为全面的阐释和价值评判。

Weng Fanggang＇s （翁方纲）study on Wang Yuyang＇ s （王渔洋） poetics has been regarded by their followers not only as an important reference to Wang‘ s Spiritual Charm Poetics （神韵诗学）, but also as a direct approach to the understanding of Weng＇ s poetics. From an early time, Weng realized the shortcoming of Wang＇ s Spiritual Charm Poetics and intended to complement its defect with his own Texture Poetics （肌理说） . Through Weng＇ s acceptance and sublation of Wang＇ s poetic thought, his intense study on Wang＇ s tonal prosody and his discussion on Wang＇ s poetic critique, we can see the evolutionary and deepening process of Weng＇ s own poetics. In view of the interlocutory relationship between Weng＇ s and Wang＇ s poetics, and by way of a detailed summary on Weng＇ s comprehensive view of Wang＇ s poetics, we are able to understand Weng＇s poetic theory more thoroughly and give a much better elaboration and value judgment from the perspective of the history of poetics.