海上丝路与杭州宋代漆器的对外传播

Maritime Silk Road and International Communication of Hangzhou's Lacquer-ware in Song Dynasty

杭州是中国漆艺史上一个产生过无数漆器瑰宝的地方,从跨湖桥原始时代遗址出土的漆弓到两宋时代逐渐转向精致素雅、重视材质肌理的审美情趣嬗变,为元明时代形成至今最为经典的中国漆艺特色奠定基础。从北宋至南宋时期,其政治与经济及文化中心南移至江浙地区,而位于浙江的东北部的杭州作为中国漆文化的发源所在,两宋期间所出产精美的漆器珍品达到中国漆艺美学上的顶峰,更通过开放的对外交流被远播于域外。在偏安一隅的南宋时代,尤以杭州之地为漆器文化重地,形成了中国漆器文化史上一股独特的审美趣味,并得借优良的地理条件,经过海上丝路作为渠道代表中国在东亚各地的漆器文化中产生了强烈的影响。

Hangzhou had produced many resplendent lacquer wares in the ancient time.A lacquer bow unearthed from Kuahuqiao primitive times site proved that the lacquer culture of Hangzhou began from almost8 thousand years ago.From the primitive age to the Song dynasty,Hangzhou gradually became a political,economic and cultural center of southeast China.Especially in the period of Southern Song dynasty,Hangzhou＇s lacquer wares achieved a high taste and reached a peak in the Chinese lacquer art history.At that time,with the development of Maritime Silk Road,the lacquer ware was transmitted overseas frequently.By this way,Hangzhou＇s lacquer ware became one of the representative to reflect Chinese feature,and influenced on lacquer culture around the world.