民俗艺术传播的语境转换与基本维度研究

Study on Context Transformation of Folk Art Communication and Basic Dimension

民俗艺术虽然已经独立于民俗学之外,但是仍与民俗学有着多种多样的联系,这就使得乡土社会对其保有持续性的关注,民俗艺术对人们的乡土生活有着十分重要并且不可替代的作用。这一艺术形式在过去,主要确立为乡土本位,但是随着其在空间上的转变,也实现了由乡土本位向消费语境的转化。在这一转化以及民俗艺术影响范围的扩大过程中,出现了三个最为基本的空间维度,分别是精神性维度,社会行为维度以及信息技术维度,这三种维度相互交织,共同作用于民俗艺术的传播与发展过程中。本文通过研究民俗艺术传播与发展的语境转换,从而剖析在这一过程中呈现出的几种基本维度。希望理论的研究,可以对实际工作的开展有所助益。

Folk art has already been independent of folklore, but it still has a variety of connection with folklore, which attracts the rural society＇s continuous attention. Folk art is very important and indispensable in rural life. It was established in the past in the perspective of the local standard, but as the change of its space, it realized the transformation from local standard to consumption context. In this transformation as well as the continuously extensive impact process of folk art, it arises three basic spatial dimensions,including spiritual dimension, social behavior dimension and information technology dimension. These three dimensions are intertwined, and work together in the process of the spread and development of folk art. In this paper, the author intends to study the spread of folk art and the development of its context so as to analyze these three basic dimensions. The author hopes that the theoretical research of folk art will facilitate the practical work.