论黄梅舞台剧中创作思路的沿革——以韩再芬三部黄梅舞台剧为例

On the Evolution of Creative Thinking in Huangmei Stage Drama——Taking Han Zaifen's Three Huangmei Plays as an Example

黄梅舞台剧作为黄梅戏新的舞台表演形式自"梅开三度"以来以一种全新的姿态崛起,它是黄梅戏戏改之后较成功的舞台范式。韩再芬主演加主创的一些作品自面世上演后的反响较大,被多数黄梅戏观众津津乐道,业内人士多次召开学术研讨会对其作品中改革的思路和举措进行探讨,而她本人也曾两次获得"梅花奖"。笔者以韩再芬的三部黄梅舞台剧为例,从创作者的创作思路去研究其中颇具价值的领域。

Huangmei drama as a new form of stage performance rises with a brand new form.. since ＂scored three＂ has become a successful stage paradigm. Han Zaifen and some of her creative works has become popular among audiences. The industry held a symposium discussing the reform ideas and initiatives in the works, and she has won two times ＂plum blossom award＂. The author takes Han Zaifen＇s three Huangmei dramas as an example to study the valuable field from the creator＇s creative thinking.