摘要
刘勰在《文心雕龙·隐秀第四十》中提到"秘响旁通"的现象:隐之为体,义生文外,秘响旁通,伏采潜发。这种现象始终贯穿在中国艺术的发展之中,在中国古典舞发展的背景、作品、表现方式中都体现出"秘响旁通"这一现象。
Liu Xie mentioned the phenomenon of "silent voices and permeating echoes" in the 40th Chapter of The Literary Mind and the Carving of Dragons, which implies hidden body, potential meaning, silent voices, permeating echoes, quiet beauty and haunting reflections. This phenomenon has been existed throughout the development of Chinese art, and reflected in the development of Chinese classical dancing in its background, works, and performance style.
作者
李玉煜
Li Yuyu(School of Art & Communication, Anhui University, Hefei Anhui 230039, Chin)
出处
《萍乡学院学报》
2017年第4期78-80,共3页
Journal of Pingxiang University
基金
国家社会科学基金一般项目(2014BH03790)
关键词
秘响旁通
中国古典舞
表现方式
silent voices and permeating echoes
Chinese classical dancing
performance style