摘要
谭恩美的代表作《接骨师之女》以母女关系为载体,通过描写华裔女主人公遭受的种族歧视和性别歧视,关注她们在美国主流社会的生活和情感状况。以后殖民女性主义理论为理论基础,剖析作品中女性人物"失语"的原因,探讨被边缘化的华裔女性如何寻回失去的声音,重新构建自我的主体身份。
Amy Tan's masterpiece The Bonesetter's Daughter taks mother-daughter relationship as the carrier,and focuses on Chinese heroines' lives and emotions in the mainstream American society by describing their sufferings from racial discrimination and gender discrimination. This paper analyzes the causes of'aphasia'of female characters in the works based on post-colonial feminism and explores how these marginalized Chinese females retrieve their lost voice and reconstruct their subjectivity of ego identity.
出处
《南京工程学院学报（社会科学版）》
2017年第3期27-30,共4页
Journal of Nanjing Institute of Technology：Social Science Edition
基金
江苏省高校哲学社会科学基金项目(2015SJD179)
