摘要
《诗经》在我国文坛的地位可谓卓越不凡。《诗经》中塑造了许多栩栩如生、性格鲜明的女性。《古诗十九首》被刘勰称为"五言之冠冕",其塑造的思妇的形象深入人心、动人心弦。但两者塑造的女性形象千差万别。本文通过对比《诗经》和《古诗十九首》中不同的女性形象并且分析其产生的原因,运用女性主义理论探讨诗经时代到东汉末年女性意识的转变。
The Book of Songs has the distinguished position in the literary world in China.ties are created in the book. The 19 Agciegt Poems is referred to as the crown by Liuxiedeeply rooted in the hearts of the people. But they differ in thousands ways of shaping the image of women. By comparing the different images of women in the two books and analyzing the reasons, the article explores the transition of the female consciousness in the last years of the Eastern Han Dynasty with the feminist theory.
出处
《包头职业技术学院学报》
2017年第3期76-79,共4页
Journal of Baotou Vocational & Technical College
关键词
《诗经》
《古诗十九首》
酷儿理论
女性意识
The Book of Songs
The 19 Agciegt Poems
queer theory
female consciousness
