建构现代中国花鸟画“五构一论”的学术理论体系研究

Study of the Construction of the Academic Theoretical System of“Five Structures and One Theory”in Contemporary Chinese Bird-and-flower Painting

作为传统中国画三大分科之一的中国花鸟画,至今尚未有成体系的学术理论,其价值标准和定位等问题,都值得认真地系统研究。建构现代中国花鸟画"五构一论"的学术理论对于"传统与创新""物象与象征""技术与意蕴""器具与艺道"等论题的学术框架建构,以及现代中国花鸟画创作具有重要意义。"五构一论"即:生态表现上的"网状结构",笔墨表现上的"点画结构",赋彩表现上的"随情结构",时空表现上的"多维结构",画境表现上的"有我结构",以及图式文化精神内涵中的中国花鸟画"象征性"的象征论。"五构一论"的艺理和学术体系建构是出自实践而又服务于实践的,"五构"是为解决现代中国花鸟画中"同构"方面问题而进行的研究,是方法论的整理;"一论"是现代中国花鸟画中有关"象征性"的诠释剖析,是意识形态的延伸。"五构一论"的建构对现代中国花鸟画学术理论体系的建构及完善具有现实意义。

Chinese bird-and-flower painting,as one of the three major disciplines of traditional Chinese painting,has not developed its mature systematic academic theory; therefore,its value standards,position and other issues need serious systematic study. Constructing the "five structures and one theory"academic theory of Chinese bird-and-flower painting is significant to these issues: construction of the academic theoretical frames of "tradition and creation","image and symbol","technology and implications","instruments and spirits of arts",and contemporary creation of Chinese bird-and-flower painting. "Five structures and one theory"means: the "network structure"of ecological expression,the "dotting painting structure"in the pen and ink expression,the "structure with emotion"in the color drawing,the "multi-dimensional structure"in the time-space structure,the "ego structure"in the picturesque scene and,the symbolism of Chinese bird-and-flower painting in the schematic cultural spiritual connotation. The theoretical and academic construction of "five structures"is derived from the practice and serves for the practice. It is a methodological consideration,as well as a study to resolve the issue of "isomorphism"in contemporary Chinese bird-and-flower painting. "One theory"is an investigation of the symbolism in contemporary Chinese bird-and-flower painting and it is also an extension of ideology. The construction of "five structures and one theory"is significant to the construction and perfection of the academic theoretical system of contemporary Chinese bird-and-flower painting