SPECIAL ISSUE： A DISCUSSION ON THE SOURCE OF MEANING OF LITERARY WORKS The Relational Attributes of the Meaning of Literary Works

文学作品的意义产生于作品与接受者的接受转换关系中，这一关系以接受的经验理解为中介，并通过经验理解在接受中实现。意义在接受中生成多重形态，包括知觉表象形态，共相一般形态以及历史延续形态。意义的现实根据体现为多元性，这是现实历史的结构性与语境性在接受转换中的展开。现实发展对于历史结构的解构与建构，以问题形态体现出来并引起接受关注，形成接受的意义期待与呼唤。意义接受是基于意义期待的接受，因此接受的意义是被前在期待限定的意义。意义具有非语言性，意义的非语言性来于文学作品意蕴的非语言性及作品接受的非语言性，并见于这两种非语言性在接受关系中的相互作用。文学作品的非语言性意义具有普遍性的接受意义。

The meaning of literary works arises from the reception and transformation of the works by their receivers. It is through understanding via experience that this work-receiver relationship is realized in literary reception. In literary reception, meaning assumes multiple forms, including the perceptual and experiential form, the universal and general form, and the historical and continuous form. The realistic foundation of meaning is pluralistic; it is the unfolding of structurality and contextuality of the real history in literary reception and transformation. The reality＇s deconstruction and construction of the historical structure appear in the form of specific issues and draw the attention of reception, and give rise to the expectation of meaning in this reception. The reception of meaning is based on such an expectation, so the meaning is constrained by the already existing expectation. Meaning has non-linguisticity, which comes from the non-linguisticity of the implications of literary works and that of literary reception, and is revealed in the interaction of the two in the receptive relations. The non-linguistic meaning is universal.