期刊文献+

纪录片《第三极》中的“虚”与“实”析略

A Brief Analysis of Virtual and Real in the Documentry of the Third Pole
下载PDF
导出
摘要 虚实结合是纪录片众多艺术手法中最常见和最重要的,它使主观镜头与客观镜头串联,让解说串词和人物对白呼应,将情景再现和真实环境结合,把叙事内容转换成创作目的。纪录片《第三极》巧妙而成熟的运用了这一手法。本文结合纪录片《第三极》各集的内容,通过与其他具有代表性的纪录片的比较,深入浅出、层层剖析,对"虚"与"实"的拍摄手法在纪录片中的运用进行阐释。 The combination of the virtuality and reality is the most common and important way in many art forms of the documentary film,which makes the subjective lens in series with the objective lens,lets the narration of words in accordance with the dialogue of the characters,combines the scene reappearance and the real environment into together,and Transforms the narrative content into creative purpose.There is no doubt that " The third pole" uses this approach cleverly and maturely.In this paper,combined with the contents of the third pole and compared with other representative documentaries,it is easier to explain the use of " virtual" and " real" shooting in the documentary film.
作者 崔兴中
出处 《兰州交通大学学报》 CAS 2017年第5期33-36,共4页 Journal of Lanzhou Jiaotong University
关键词 纪录片 《第三极》 “虚”与“实” documentary film the third pole "virtual" and "real"
  • 相关文献

参考文献9

二级参考文献27

共引文献33

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部