摘要
审美与生产的分离源于人将生产只看作手段,忽略了生产自身的内在价值。相应地,审美被局限于对已完成的产品的知觉享受,排除了生产的创造过程。生产与审美的结合是一个经验的完成,是在欣赏的知觉控制之下的做与受的平衡。与生产审美性对立的两极是机械性与任意性。生产审美性的实现从根本上依赖于彻底的社会改造,除此之外,人要将目的与手段、过程与结果、活动与意义有机结合起来。
The separation of aesthetics and production makes man merely take production as methods and ignore the inner value of production itself. Correspondingly,the aesthetics is also restricted to the perceptive entertainment for accomplished goods,excluding the generating process of production. The fusing of production and aesthetics represents the fulfillment of an experience as well as the balance between the active and the passive in which the appreciative perception controls. The two poles against production aesthetics are mechanical and arbitrary. The realization of production aesthetics fundamentally relies on the thorough reform of society,and besides it people should combine purpose and method,process and result,activity and meaning organically.
出处
《学术交流》
CSSCI
北大核心
2017年第10期62-67,共6页
Academic Exchange
关键词
生产
创造
审美
经验
production
creation
aesthetics
experience