论“垮掉的一代”美国化禅宗诗学中的身心实践

On Practices of Body and Mind of“Beat Generation”about Americanized Dhyana poetics

站在诗学的立场上对 “垮掉的一代”及其创立的 “垮掉禅” 进行考察, 有助于认识这一代作家的日常生活个性、 主导创作风格及其融合发展的审美诉求. “垮掉的一代”作家通过迷与悟不辨的身心体验,以类似于行为艺术的方式验证了艺术的否定辩证法, 传达出反对正统文学体制、 解构现实秩序和实现精神自由的愿望; 他们运用直觉、 感性并用的创作思维, 发展出自发写作、 布莱克顿悟、 电影蒙太奇手法等写作方法, 丰富发展了禅宗诗学的创作理论; 通过译介性作品的创造性叛逆、 仿创性作品的禅意上创新和自创性作品的文化上对话, 实现古代文化的现代激活, 东方文化的西方推介以及东西文化的交互沟通.

It is helpful for our understanding of “Beat Generation” about their daily life personality,leading writing style and the in-tergrated aesthetic appeal when we study on the point of view of poetics about “Beat Generation”and their creation of“Beat Zen” .Based on the blurred consciousness experience and the similarity of action art, the wreters of“Beat Generation” tested and verified thenegative Dialectics, which conveyed desires againest the orthodox literature organization,for deconstruction realistic order and ofachieving spiritual freedom. They used the creative thought mixed with intuition and sensibility, from which such writing methods asspontaneous writing, Blake insight and montage technigues were devoloped, their efforts enriched Dhyana poetics writing theories andenbodied their aspiration of continuous self improvement; living in the society prevailing with the thought of Western Centralism,“BeatGeneration”made it realstic of making modern of ancient culture, of promoting Oriental culture to the West and of interacting commu-nication between Eastern and Western culture by writing practices of creative treason on translation works, of Buddhist mood innova-tion on imitation works and cultural dialague on self created works